BooksForKidsBlog

Monday, July 07, 2014

Times A'Changin'! Ida M. Tarbell:The Woman Who Challenged Big Business and Won! by Emily Arnold McCully

Sometime between the Civil War and the turn of the twentieth century, a new America evolved. The world lighted by candles and whale oil lamps flickered out as the energy wars began.

Coal became the fuel of industry, followed by the petroleum first found in Pennsylvania, and both bred huge conglomerates, the mega-corporations, the "trusts," which evolved with the power to set prices and wages and fueled the growth of an urban working class.

And into this world came Ida Tarbell, ironically raised in the very area of Pennsylvania where "Seneca Oil" bubbled to the surface. The hard-driving John D. Rockefeller realized that there was an unforeseen market for refined oil, first to replace the limited whale oil in lamps, but soon put to use to power engines in turbines, tractors, and, of course, automobiles. Ida's parents were both educated as teachers, but Ida's father was eventually drawn into the developing petroleum industry and eventually driven out of business by Rockefeller's first trust, a consortium of banks and railroads and petroleum producers.

A much-loved first child, Ida M. (Minerva for the goddess of knowledge) Tarbell was a headstrong but promising student, and unlike most young women of her time, she was college educated, graduating from Allegheny College, an early advocate of coeducation. But finding full-time employment as a woman was difficult, and after a year of teaching, Ida moved on to become a writer for the Chautauquan, where she was predictably given the "women's viewpoint" articles. Restless, she began to freelance, and her skill at fact-based reporting drew the attention of one Sam McClure, the mercurial and manic aspiring editor of what he conceived to be a new journalistic form, an intellectual public policy magazine that would eclipse Scribner's, Harper's, and Cosmopolitan. McClure founded his eponymous McClure's Magazine in 1893, with Ida Tarbell on board.

Ida's penchant for research and straightforward informative writing suited McClure's readers. Ida established herself as a serious journalist with her serialized biographies of Napoleon and Abraham Lincoln.

Ida reminisced aloud at staff meetings about her childhood experience in the oilfields. She had seen the birth of the oil industry firsthand; she remembered the early signs that Rockefeller was out to dominate.

Listening to Ida, [her editors] realized that her life experience, along with her writerly and scholarly skills, uniquely equipped her to tell the story of the Standard Oil Trust--the mother of all trusts, the only one created by a single man. Ida reluctantly agreed to take it on.

But Ida soon ran into a missing documents mystery. It was evident that Rockefeller had actually bought up copies of records and articles which revealed his ruthless acquisitions. Dogged in her digging, Ida finally found two damning documents. A librarian in Baltimore located one of only three surviving copies of a revealing pamphlet about Rockefeller, and a copy boy provided her with company documents slated to be burned. Tarbell had what she needed. In November of 1902 McClure's published the first installment of her magnum opus, "The History of the Standard Oil Company."  The issue sold out immediately, and circulation boomed.

John D. Rockefeller was forever established as the poster child for "robber barons," and Ida Tarbell was famous.

Ida's rise as an investigative journalist paralleled the rise of Teddy Roosevelt, who used the groundswell of ire begun by her expose' to fuel his historic "trust-busting" presidency. Ida Tarbell's so-called "muckraking" articles secured her a place in the Progressive pantheon, and her "just the facts" style set the mark for future writers. After Ida Tarbell and her flamboyant contemporary, "Nelly Bly," (Elisabeth Cochran), no one could rationally argue that women couldn't hack it in the world of journalism.

Caldecott author Emily Arnold McCully's extensive biography, Ida M. Tarbell: The Woman Who Challenged Big Business--and Won! (Houghton Mifflin Clarion, 2014) tells the story of a unique woman who helped define her times and our own. Ida herself would approve of McCully's meticulous research and fair and straightforward writing. This is a book that belongs in school and public libraries as part of the story of the making of modern American life. For student researchers, Arnold's text is filled with photographs and provides an appendix which includes extensive notes and bibliography, including selected writings by her subject and a link to Tarbell's complete works, and a full index. A timeline of Tarbell and her times would have also been helpful, however.

School Library Journal's starred review says "Readers will not only get a feel for Tarbell, but they'll also get a sense of the changing world she inhabited."

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Tuesday, February 03, 2015

(Drumroll) The Envelope, Please! The 2015 American Library Association's Awards for Children's and Young Adult Literature

There's snow in Chicago, and that means it is time for the premier children's and young adults awards, especially the venerable John Newbery Medal, given for the best work of literature to the author, and the Randolph Caldecott Medal
for the best-illustrated book, both announced at the American Library Association's Midwinter Meeting, February 2.

And the winners are...

The Newbery Award goes to Kwame Alexander for his novel The Crossover (Houghton Mifflin Harcourt, 2014). In my review of March 19, 2014, I said "Watch for this one to take some honors in the awards for books debuting this year, because it's definitely got game--on-court suspense, real-life characters, and a moving narrative that confronts life changes with all the right moves. Slam-dunk!" Yeah!

Newbery Honor Medals went to El Deafo (Amulet/Abrams, 2014) by Cece Bell, and Brown Girl Dreaming (Nancy Paulsen Books, 2014) by Jacqueline Woodson, which also was the winner of the National Book Award for Young People's Literature. (See review here.)

The Caldecott Medal for illustrations goes to Dan Santat for his The Adventures of Beekle: The Unimaginary Friend (Little, Brown and Company, 2014), reviewed here.

Caldecott Honors wen to The Noisy Paint Box: The Colors and Sounds of Kandisky's Abstract Art, (Alfred A Knopf, 2014), illustrated by Mary Grandpre'; Nana in the City (Houghton Mifflin Harcourt Clarion, 2014); Sam and Dave Dig a Hole (Candlewick Press, 2014),illustrated by John Klassen; Viva, Frida (Roaring Brook Press, 2014) illustrated by Yuyi Morales; The Right Word: Roget and his Thesaurus (Eerdman Boks, 2014, illustrated by Melissa Sweet; and This One Summer (First Second, 2014), illustrated by Jillian Tamaki.

The Coretta Scott King Author Awards went to Kwame Alexander for The Crossover (Houghton Mifflin Harcourt, 2014); Marilyn Nelson for How I Discovered Poetry (Dial Books, 2014): and Kekla Magoon for How It Went Down (HenryHolt, 2014).

The Coretta Scott King Illustrator Awards went to Christopher Myers for Firebird (G.P. Putnam's Sons, 2014), Christian Robinson for Josephine: The Dazzling Life of Josephine Baker, (Chronicle Books, 2014), and Frank Morrison, illustrator of Little Melba and Her Big Trombone (Lee and Low, 2014).

The King-Steptoe New Talent Author Award went to Jason Reynolds' When I Was The Greatest (Atheneum Books, 2014)

The Coretta Scott King/Virginia Hamilton Lifetime Achievement Award was given to librarian and literacy advocate Deborah D. Taylor.

The Michael L. Printz Award for Literature for Young Adults was given to Jandy Nelson for I'll Give You the Sun, (Dial Books, 2014).  Honor awards went also to Jossie Ann Foley, The Carnival at Bray, Jenny Hubbard for And We Stay; Andrew Smith, for Grasshopper Jungle, and This One Summer by Mariko Tamaki.

The Schneider Family Book Award for books about disabilities went to A Boy and a Jaguar by Alan Rabinowitz (Houghton Mifflin, 2014) and Rain Reign by Ann M. Martin, published by Feiwel and Friends, 2014). (See reviews here and here.

The Theodor Seuss Geisel Award for Beginning Reader Books was given to You Are Not Small, by Anna King (Two Lions Press, 2012), and honor medals went to Mr. Putter and Tabby Turn the Page (Houghton Mifflin  (Harcourt, 2014), and Waiting Is Not Easy!  (Hyperion Books, 2014). (See reviews here and here.

The YALSA Award for Excellence in Young Adult Nonfiction went to Popular Vintage Wisdom for a Modern Greek, (Dutton Books, 2014) by Maya Van Wagenen.  Honor books include Shane Burcaw's Laughing at My Nightmare (Roaring Brook, 2014), Candace Fleming's The Family Romanov: Murder, Rebellion, & the Fall of Imperial Russia and Ida Tarbell: The Woman Who Challenged Big Business--and Won (Houghton Mifflin Clarion, 2014) by Emily Arnold McCully, (see my review here).

The Andrew Carnegie Medal for Excellence in Children's Video was awarded to Weston Woods Studios, Paul Gagne, and Melissa R. Elard, for their film of the Caldecott Honor Book Me . . . Jane (See review of the book here.)

The Laura Ingalls Wilder Lifetime Achievement Award was presented to author-illustrator Donald Crews, and the Margaret A. Edwards Award for Lifetime Achievement in the area of young adult literature want to author Sharon Draper.

A complete listing of book and media awards presented today by the American Library Association may be found here.





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