Equine Art from the Geisel Files! Dr. Seuss's Horse Museum by Andrew Joyner

A horse is a horse, of course, of course.

This is what ART is about.... ART is when an artist looks at something... like a HORSE for instance.

At an art museum we can see how some artists see horses--as outlines, as shapes, as solid forms, as lines, with color and motion and sometimes just as squiggles of dripping paint. Some see them and show them as strong and powerful, or as lithe and flowing and speedy, or slow and sturdy. For some classical artists hired by royalty, a horse was alternative to a throne, making a king look more commanding, a prince more gallant. Later artists showed horses as their impression of the idea of the horse or the emotions they expressed. Some, like Picasso, painted the horse as a surreal, frightening creature, or as the simple planes of its body as cubist art.

What would a cave artist see in a horse?

It's a mystery!

(Maybe... it was ... dinner?)

Looking at all the ways artists see things is what is fun about art museums.

But there are lots of ways to see how artists see things. All around us we see images and designs and art... even in the library. Especially at the library, where each illustrator sees the story in different sorts of pictures.

Dr. Seuss's Horse Museum (Classic Seuss) (Random House, 2019) is the result of Mrs. Ted Geisel's tidying up of her late husband's studio.  She found pages of pencil sketches and text that hadn't been put into rhymes, and Dr. Seuss's publisher, Random House, with the help of author and artist Andrew Joyner, put them together in this new classic book. There are plenty of recognizable Seussian characters, the little blond kid in the striped shirt, the fish in the teapot on a boy's head, the baby in his onesy, and the shaggy little dog who follows the kids, moving through the museum and marveling at the different images of the horse.

Says Booklist's starred review, "Excellent for a first visit to an art museum and as jumping-off point for young artists seeking creative style."

Equi-Art: I Love to Draw Horses by Jennifer Lipsey

Jennifer Lipsey's My Very Favorite Art Book: I Love to Draw Horses! (My Very Favorite Art Books) is like having your favorite elementary school art teacher sit down beside you and give you private lessons, and for horse-crazy kids among us, (and I was once one of those) this easy little drawing book brings a lot in a small package.

Lipsey, an art teacher herself, promises that "this book will help you become the artist you always wanted to be." Beginning with the face-on horse's head, she uses the familiar circles and ovals to ease students into the basic forms of the equine body. But she doesn't stop with just the shape; she also teaches the details of the horse's face, the blaze, stripe, snip, and star which make each horse unique.

Moving on to the full body, she begins with the easiest to draw--a simple profile, first with legs together, and then with all four legs showing. Lipsey then moves on to movement--showing the positioning of all four legs in the classic gaits, walking, trotting, cantering, and galloping. Double-page spreads also show how to draw the grazing, rearing, and lying-down horse, and similar spreads show how to tailor the basic horse shape to the morphology of the Arabian, draft horse, racehorse, and Shetland pony. Baby horses are not slighted, with a special spread showing how to draw the body shape of the foal in profile and front-facing style and their distinctive "crew-cut" manes and short tails.

A great strength of Lipsey's book is her intrinsic presentation of a great deal of information and vocabulary incidental to the horse. She illustrates and discusses horse coloration, including the chestnut, gray, dun, bay, palomino, pinto, and the various forms of the Appaloosa--the frost, leopard, blanket, and snowflake. The parts of the horse's body--from muzzle to withers to fetlock--and the elements of basic tack share a double-page spread.

Knowing that many would-be horse artists are also would-be equestrians, Lipsey also offers a spread showing the young artist how to draw in the riders--samples being an elf maiden, cowgirl, princess, English equestrienne, and American Indian girl, all with the appropriate trappings. The author also gives a nod to the horse in folklore, with a lesson in drawing Pegasus, the mythical winged horse, and the fantasy favorite, the unicorn. In her illustrations and text, Lipsey also takes pains to suggest various settings for her horses--beachfront, nighttime forests, racetracks, mountain ranges, snowy fields, and farmlands.

Materials suggested are simple and inexpensive--pencil and paper, blackline marker, eraser, and colored pencils or crayons. Instructions are brief but complete, and the additional horse lingo adds interest to the easy-to-read text. All in all, it's the book I wish I could have had when I was a nine-year-old, reading Black Beauty and trying to teach myself how to draw that longed-for horse of my own.*

Other books by Jennifer Lipsey in this series are My Very Favorite Art Book: I Love to Draw!, My Very Favorite Art Book: I Love to Draw Cartoons!, My Very Favorite Art Book: I Love to Paint!, My Very Favorite Art Book: I Love to Draw Dogs!, My Very Favorite Art Book: I Love to Collage!, and My Very Favorite Art Book: I Love to Finger Paint! Toss together several of these books with some markers, sharpened pencils, and paper and you've got your own summer art camp ready for those long summer days.

*Editor's Note: But it's never too late! With Lipsey's directions and about 20 minutes of work, I drew this recognizable horse. Considering that it's probably been more than five decades since I last drew one, I'd say this how-to book really works!